Eye in the Sky Scene 2 Shot log
Production
name
|
Galaxis
|
||
Director
|
Shane
Brocklehurst
|
Date
|
16/04/13
|
Camera
Operator
|
Tyler Cannon
|
Location
|
Dunstable, London Rd
|
Scene
|
Take
|
Duration
|
Description
|
Quality of video
(1=good, 3= poor)
|
Quality of audio
(1=good, 3= poor)
|
Usable (yes/no)
|
Notes
|
2A
Pt. 1a
(00260)
|
1
|
0:26
|
This scene is the first part showing David (protagonist) walking home
from college.
|
2
|
2
|
No
|
The shot was filmed in an extreme long shot/ long shot where the
camera pans right from the control box showing David walking. This was one of
the best scenes filmed with stability steady than the rest and was the most
effective is presumably usable to include in the programme. We may have to
re-film to get the quality right
|
2A
Pt. 1b
(00261)
|
2
|
0:17
|
This scene is the first part showing David (protagonist) walking home
from college.
|
2
|
2
|
No
|
At first the camera was good when it was panning out of the control
box but got un steady when it focused on David walking as the camera kept
moving to the left and right with the control box still in the footage.
|
2A
Pt. 2a
(00262)
|
1
|
0:14
|
This is the second part of the same scene which shows David walking
home from college towards the Town centre.
|
3
|
2
|
No
|
The camera pan was far too slow which did not correctly follow the
movements of David and that it zoomed in too close which was meant to form a
long shot not a medium close up of the character.
|
2A
Pt. 2b
(00263)
|
2
|
0:11
|
This is the second part of the same scene which shows David walking
home from college towards the Town centre.
|
3
|
2
|
No
|
Again the camera zoomed in too close to the character forming a
medium close and a close up which looked ineffective and that the pan was
quite jolted at times.
|
2A
Pt. 2c
(00264)
|
3
|
0:14
|
This is the second part of the same scene which shows David walking
home from college towards the Town centre.
|
2
|
2
|
No
|
The camera pan was quite effective as it followed the movements
effectively but the zoom in was much better but did not get the long shot
correctly.
|
2A
Pt. 2d
(00265)
|
4
|
0:12
|
This is the second part of the same scene which shows David walking
home from college towards the Town centre.
|
1
|
2
|
Yes
|
The shot was film from the other side of the main road which was in
an extreme long shot zoomed in to a long shot to show David walking to the
Town centre. This was possibly the best scene to use as there was a smooth
pan that followed the movement of the character and the zoom in was also
smooth which made the scene definitely usable.
|
Production
name
|
Galaxis
| ||
Director
|
Shane
Brocklehurst
|
Date
|
19/04/13
|
Camera
Operator
|
Tyler Cannon
|
Location
|
Dunstable, Bull Pond lane, Park
|
Scene
|
Take
|
Duration
|
Description
|
Quality of video
(1=good, 3= poor)
|
Quality of audio
(1=good, 3= poor)
|
Usable (yes/no)
|
Notes
|
2B
Pt. 1a
(00182)
|
1
|
0:26
|
This scene is when scene 3B begins which show David (protagonist)
entering a park and then answering his mobile after receiving a mysterious
call.
|
1
|
2
|
yes
|
This spite one of us talking at the beginning of the shot I thought
that the camera man done quite a good job at following the movements of the
character where the panning was quite smooth and the zoom out looked
effective making the sequence dramatic.
|
2B
Pt. 1b
(00185)
|
2
|
0:27
|
This scene is when scene 3B begins which show David (protagonist)
entering a park and then answering his mobile after receiving a mysterious
call.
|
1
|
2
|
Yes
|
This scene was also effective and accurately done professionally as
the camera had a smooth pan and zoom out when following the movements of the
character which showed a clear focused which made the scene look quite
dramatic at the same time.
|
2B
Pt. 2a
(00190)
|
1
|
0:04
|
This is the scene when David takes out his mobile where there is a
cut away insert of the phone.
|
1
|
2
|
Yes
|
This scene was quite easy to film as it was a cut away insert shot of
David answering the mysterious call on this mobile phone which looked
effective as it created the perspective of the character. Unfortunately the camera was meant to focus
on the screen of the phone which looked like the device was switch off. But
it will do for now.
|
2B
Pt.2b
(00191)
|
2
|
0:03
|
This is the scene when David takes out his mobile where there is a
cut away insert of the phone.
|
2
|
2
|
Yes
|
This scene was also professionally done as the camera showed a clear
perspective of the character which made the scene dramatic. Again the camera
did not focus on the phone screen.
|
2B
Pt.3a
(00195)
|
1
|
0:05
|
This is scene where David answers the mysterious phone call.
|
2
|
2
|
No
|
This was in filmed in a medium close up (MCU) focuses on the front of
the individual which showed a good perspective of the character answering
that mysterious phone call. The dialogue of the character was not the best
standard within the voice which we intend to change. However this scene I may
recall as usable but the dialogue was un clear on the second sentence.
|
2B
Pt.3b
(00196)
|
2
|
0:05
|
1
|
1
|
Yes
|
The MCU looked quite effective which dramatically showed the body
language of the character in a nerve racking state which expressed his
personality. The dialogue of the character was much understandable and
effective making this footage usable.
|
|
2B
Pt.4a
(00205)
|
1
|
0:08
|
This scene shows David progressing in to the mysterious phone call.
|
2
|
2
|
Yes
|
The scene was filmed in a MCU that focused on the left side of the
character where it showed the personality of the character. The audio was
quite understandable again the voice definitely has to be changed.
Unfortunately the scene was cut short which would disrepute the dialogue of
the mysterious caller. However we could just expand the scene another frame
to fix that.
|
2B
Pt.4b
(00209)
|
2
|
0:10
|
2
|
2
|
Yes
|
This scene also looked affective as it presented the personality of
the character which was dramatic. However there was a problem where the
microphone was moving in the scene which we can crop when editing. The
dialogue was also understandable where the voice will need to be changed.
|
|
2B
Pt.5
(00212)
|
1
|
0:05
|
This scene shows David continuing further in the conversation with
the mysterious caller.
|
2
|
2
|
Yes
|
This was accurately filmed which showed the perspective of the
character’s situation towards the phone as it was filmed in the opposite
direction in a MCU focusing on the right side of the individual. The dialogue
of the character was clear and effective throughout making the individual
sound vulnerable which made it quite dramatic.
|
2B
Pt.6
(00215)
|
1
|
0:04
|
This scene only shows the character silently standing whilst the
mysterious caller is talking to him.
|
2
|
2
|
Yes
|
The scene showed a longshot of the character which showed his
personality whilst receiving the answer by the mysterious caller.
Unfortunately the character looked quite angry which may affect the
professional side of the sequence.
|
2B
Pt.7a
|
1
|
0:06
|
This is the final part of the phone call and the ending of the
opening sequence.
|
1
|
2
|
Yes
|
This scene was filmed in a close up (CU) shot which focused on the
facial expressions of the character effectively made it look quite dramatic
as it presented the personality of the individual. The dialogue was quite
effective which made it understandable to hear.
|
2B
Pt.7b
|
2
|
0:05
|
1
|
2
|
Yes
|
This scene was also good as the CU showed the personality of the
character as well as his facial expressions. The audio was also effective as
it was understandable to hear which made the scene dramatic.
|
|
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